April 29, 2009

Harrrrrrrrrrrrd Lite


still from "for the lucky and the strong" by Kim Sheppard


Clint Enns - The Death of Natural Language

The Death of Natural Language is an ascii animation of a plane crashing. The abstracted image mediated by ascii text parallels modern human communication; meaning is often lost or misinterpreted by the process. The music is 'miko' by the beans.

Clint Enns resides in Winnipeg, Manitoba and is currently a masters student in mathematics at the University of Manitoba. His interests include cinema, model theory of rings and modules, natural language as a biological phenomenon and the logical vocabulary of natural language. Clint has been an avid cinephile for many years, and has only recently started making films. He is currently a member of the Winnipeg Film Group and Video Pool.

Clint on vimeo

Kevin Hainey - Alluvium; Dwight Leaves

Kevin Hainey is an independent artist living in Toronto who expresses himself in the mediums of film, literature, music and visual art. He has worked as a professional freelance journalist for magazines such as Eye Weekly, Skyscraper and Exclaim. In 2004, at the age of 24, Hainey self-published his first novel, Thought Preserve, which featured artwork by cartoonist Chester Brown. In 2005 he co-founded the noise-rock band Disguises and started the Inyrdisk micro-label. In 2006 Hainey helped organize Toronto’s massive Bummer In The Summer festival, producing, directing and editing a grass-roots feature-length film to commemorate the event. That year, he also co-founded the psychedelic noise-rock band Cave Dudes. Over time he has written a number of works for stage and screen, recorded with scores of musicians, and directed some short Super 8mm films.

www.kevinhainey.net houses everything you need to know about Kevin Hainey.


Jesse Harris - NO TITLE

Jesse Harris is an artist from Toronto. His work primarily deals with popular language and counterculture.

His video was recorded by bonfire at a country club in Guelph, Ontario. Sound by Karl Skene and the artist.


Matt King - Mountains

Matt King can you please direct me to the lyceum? If I do this, then i can do that. Over here, over there kind of thing. In Toronto, his wallows be gone for time itself. dd/mm/yyyy fingers his butt on sax. Where I am, you can see it in synthetic landscapes constructing ideas to obey. He went grocery shopping and made this video. He other also makes a wooden cloud of dollar stores if kaleidoscopes or brownies until postcards and conventionally convenient...the video. A bookwork of Matts is in the collection of the Toronto Public Library.

Matt's art on blogspot


still from "The Death of Natural Language" by Clint Enns


Sarah Lipstate - Interior Variations

Sarah Lipstate is a Brooklyn-based sound artist and filmmaker. She has performed in Rhys Chatham’s Guitar Army, and as a member of Glenn Branca’s 100 guitar ensemble. In March 2008, Lipstate joined Parts & Labor as their new guitarist.

Last year, Lipstate performed as part of the Underground at the Abrons performance series at the Abrons Arts Center on the Lower East Side of Manhattan. In December, she played at the Un Son Par Là, Music of Today festival in Nîmes, France. She recently performed in the revival of Rhys Chatham and Karole Armitage's Drastic-Classicism as part of the Think Punk! program at The Kitchen in NYC.

Her short films have screened for two consecutive years at SXSW, and earned Lipstate the "Diamond in the Rough Cut" award for exceptional emerging filmmaker at Cinematexas 2006. Her short, "Memory Scars," screened at the Reel Venus Film Festival at Anthology Film Archives in NYC in October 2008.

Sarah's website


Ian MacTilstra - Portrait of the Artist as a Feedback Loop; Tits n Math

Ian MacTilstra has been incorrectly described as "Co-founder and leader of the DUP, Member of Parliament for North Antrim, founder of the Free Presbyterian Church. Controversial and charismatic Protestant leader in Northern Ireland for four decades. Rabidly anti-Catholic." At numerous institutions, he has studied psychology, philosophy, computer science and visual arts. In 2007, he founded The Dustbin, a provisional autonomous territory in Vancouver's Commercial Drive neighbourhood, serving as a mostly unscheduled, nonjuried venue for alternative and emerging work. His art has been shown in North America, the U.K., Europe, Russia, Australia, and Japan.


Jesse Frank Matthews - EMF

From microwaves to cell phones, the invisible and intense charge of electric energy and the field it produces blankets our peripheral environment. EMF addresses this phenomenon through audio (fridge motor) and visual (found footage) manipulation, conveying a sense of awareness of our own insular environments, and then being robbed of that.

Jesse Frank Matthews makes art; sometimes visible, sometimes audible often together and sometimes neither. Graduated from NSCAD in 2007 and showing work periodically while making work constantly.

Jesse on blogspot
and myspace!


Zeesy Powers - X

X was commissioned for a series of short films on the alphabet. It is composed of 192 individual paintings, and is about sex.

Zeesy Powers is an interdisciplinary artist who works with the body, spectacle and theatre. Her work combines painting, animation, puppets, dance and whatever else happens to be at hand, including other people.

Zeesy's site
and on Youtube!


still from "X" by Zeesy Powers


Françoise Provencher - sous le microscope

The images of this animated short were acquired via polarized light microscopy, while the music was elaborated from laboratory sounds, spectroscopic data sonification and instrumental samples. The images were not treated in any way to show the raw beauty of nature that scientists are sometimes confronted with.

Françoise Provencher, Masters of Science in experimental condensed matter physics, is currently studying in Digital Music at Université de Montréal. Her works focus mainly on the interplay of science and art. The soundtrack of Sous le micropscope is a collaboration with the Montreal based French post-rock artist .cut and the pianist Pier-Emmanuel Tremblay.

sous le microscope myspace


Tobias Rochman - The Cosmic Serpent

The Cosmic Serpent is a self-portrait set in space and explores veiled Occult symbolism through the use of iconic images such as golden retrievers, burgers, ak47s, denim and black roses. It was shot on a green screen at Concordia University this past February and features an original instrumental synthesizer score entitled 'SATURN' by Grand Trine.


Kim Sheppard - for the lucky and the strong; I Can't Keep Up

I Can't Keep Up has been gathered from footage and audio found on YouTube. The video moves through a landscape of child performers and over saturated scenery, examining family relationships and the ways in which they hold us and alienate us. Building a document of personal history from the documentation of other people's families the refrain "I can't keep up" seems more a declaration of separateness than a call to slow down. At once voyeuristic and introspective I Can't Keep Up is part two of a video tryptich made from Youtube-sourced footage that also includes All of What You Have, and Here We Are.

For the Lucky and the Strong is a chorus of nine separate women singing one song into their webcams.

Kim Sheppard, born 1982 Woodville, Nova Scotia, graduated, 2006 from the Nova Scotia College of Art and Design, BFA Interdisciplinary Studies. Her work has been shown both nationally and internationally, most recently as part of ArtCity festival, Calgary and at the Hamburg international Gay and Lesbian Film Festival, Hamburg, Germany. She now lives in Toronto.


Leslie Supnet - The Animated Heavy Metal Parking Lot

An animated tribute to Jeff Krulike and John Heyn's 1986 video documentary classic, Heavy Metal Parking Lot. Remaining faithful to no-budget film making, Supnet reconstructs her favourite scenes using cut-out characters made out of aged paper, glue and ink.

Leslie Supnet is a visual artist from Winnipeg, MB Canada. Leslie recreates vestiges of personal history, incorporating a healthy dose of melancholy, nostalgia, and humour.

Leslie is on The Internet

April 27, 2009

'HARD LIGHT' EXPERIMENTAL VIDEO SCREENINGS


Matt King of DD/MM/YYYY has a short video entitled 'Mountains' which will be screened along with 11 artists at this year's installment of HARD LIGHT at the Obey Convention No.3. As you can see Matt had a bit of a rough tumble recently and we wish him a speedy recovery. His band plays Halifax often and I am sure you all know by now he's a swell dude. Check out his art blog here and post some wellness wishes here: http://mattkingart.blogspot.com/

DOG DAY - HAPPINESS


This is the new video for their first single "Happiness". Directed by Seth Smith.

April 25, 2009

OBEY iii POSTER in NITE LITE COLOUR


TYVEK VIDEOS

I will post more information on this band soon. Right now Tyvek are touring Europe and here are two videos from the last few weeks:


April 24, 2009

moldee oldeys

some well-loved youtube clips, and an interview with Darcy of divorce records that never got printed, maybe one or two years old





What communities do you belong to, and what is your role in these communities?

I suppose I belong to the underground music community in Halifax, and because of the label and the bit of touring I've done, I'm somewhat involved with fringe music scenes in other places in Canada. In general, I also like to think I'm a participant in some kind of overall DIY movement. As for my role(s), I'm a musician, fan (and aspiring archivist), and label operator.

How did you first start doing Divorce records?

I'd been briefly involved in the music industry. For some reason, it left a bad taste in my mouth. Like so many people have done in the past, I just decided to do things my own way. I started photocopying album covers, dubbing tapes, selling albums from my bike, etc. Divorce was basically a logo for anything I wanted to do for a number of years.

What keeps you in Halifax?

I long ago decided that this was my home. Halifax has been a great city for me – I have no desire to leave. Halifax is the perfect place if you're into culture but don't like big cities.

What makes art/music/culture engaging/relevant/important?

The great thing about art is that you can't really answer this question. Art works on so many levels. I suppose some kind of honesty is necessary. Besides that, who knows.

What reoccurring themes do you see in your own work?

Because of struggles in my personal life, I suppose much of what I've done in music has naturally dealt with depression and mania. Following from this is a trend towards isolation. Punk music has always been an expression of isolation – difference from society at large. Experimental music also deals with this by creating new sets of rules that aren't decipherable to people - the result is a polarization between the artist's 'group' and mostly everyone else. Experimental music is also a 'fuck you' to the usual ideas of what artist achievement may mean. People obviously aren't doing it to be stars or for financial gain. Punk music use to be the same, and in some cases still is. Maybe I'm off topic...

Explain the role of the following to your work and practice:

-awareness/autonomy

Do you mean trying to convey some form of awareness? – forcing people to see things my way? I probably do this in The Hold. I'm definitely trying to drive some points home.


-confrontation

I like forcing people to participate or react. Confrontation forces people to make decisions about what they are going to accept and what they think is offensive or trash. Aggressive and/or upsetting music is perfect for this.


-catharsis/neurosis

Music and the performance of music is one of the only ways I escape from my own neuroses. In this sense, everything I do is selfish and a form of therapy. But I feel it is also a sign that what I'm doing is honest, and I assume many artists operate this way. I guess you can only hope the audience finds a bit of transcendence as well.


How do you find a balance between the cerebral and the instinctive elements of creation?

The instinctive element comes through in performance. Something takes over during performance. I guess you'd call it instinct – it feels very primal, like it is from somewhere deep. By performance, I mean any act of playing music (or whatever), not just on stage. So, the act of performing is instinctive on some levels and informs creation. As for the cerebral element, I'm mostly into art that stimulates thought of one kind or another, so I attempt to guide myself through interesting concepts. I usually have something in mind before I sit down and make music. Sometimes I make elaborate diagrams of what I'd like to realize.

What got you into punk and music?

Until the age of 16 or so, I was mostly allowed to listen to Christian music. At some point, somebody played me a few minutes of The Dead Kennedy's. It changed everything for me. Even now I think of it as a reference point for what music really stands for. That said, I never got fully into punk music. I've always been into a wide range of stuff, but I think everything I like shares characteristics with that early interpretation of DK.

What's the relationship between music and other forms? Say, performance, the visual, or language?

Well, I think all art shares similar characteristics. So music is the same as any other form in that it expresses a unique vision of things. But when music is combined with any other form it makes this vision more dynamic or changes it. If someone performs a piece of music, the audience will likely take something different from the experience than if they simply listened to a recording.


How have your practices changed over the years? Why do you think this is?

Well, my creative impulses are getting progressively more obscure. When I was young, I was most interested in songs and different rock/pop formulas. Now I'm interested in a lot abstract music and the more unusual places this music can lead. But I guess my practices haven't changed much - I still attempt to play instruments, etc. I'm just coming from a different place now.

Also, because of the label and the distro I'm turning into more of an administrator. It's not as bad as it sounds. I'm becoming more of a fan of music and culture than I've ever been – I have an insatiable desire to listen to music these days.


What's your favourite music to dance to?

I don't dance.


What's the best thing to do when winter comes around?

Work on shit.

April 22, 2009

GRAND TRINE

After the spectacular break up of Be Bad at last year's OBEY Convention, the various members all went on to new projects. One of the bands to emerge from the ashes is Montreal's heavy psych trio Grand Trine. Their sound mixes loads of weird rock influences including Simply Saucer, Chrome, and The Stooges. You can also hear a Suicide flavour in the minimalist runs, straight beats, and wild yelps. A few months ago they released a cassette on Montreal's ultra-cool Campaign For Infinity label. The tape sold out in a few weeks. They now have US and Canadian tours planned, and a full length LP in the works.
Today the CBC included Grand Trine in a piece on 'weird ((Canadian)) punk. Other bands featured include Aids Wolf, Red Mass, Duchess Says, and Les Georges Leningrad. Listen to the podcast HERE.
Grand Trine are certainly a reason why the Saturday night show at the Khyber is a stacked bill. Expect this band to give 200%
____________________________________
Tyvek, Black Feelings, Grand Trine, Stolen Minks, The Ether, BHN Part 2 @ the Khyber, May 23rd >>> 10:30PM-2AM $9

April 21, 2009

DIVORCE RECORDS TURNS 10 YEARS OLD!

DIVORCE RECORDS IS NOW 10 YEARS OLD! 30 releases and the future is bright.

D28 Husband & Knife - More of Them (Than us) C-30
D27 Gown - The Old Line LP
D26 Husband & Knife - An End LP
D25 Be Bad - Everything Went Bad C-39 SOLD OUT
D24 Shearing Pinx - Haruspex 7"
D23 East vs. West C-20 SOLD OUT
D22 Vennt - S/T EP CD
D21 Be Bad - Vision Correction CD
D20 Unicorn/Torso Split CD
D19 Husband & Knife / Dog Day – Bordon Sessions C-20 SOLD OUT
D18 Dog Day- Thank You EP CD
D17 Torso - S/T CD-R SOLD OUT
D16 Husband and Knife - Welcome Back CD
D15 Be Bad/Attack Mode Split 7"
D14 Die Like An Animal Dies - CD-R SOLD OUT
D13 Gilbert Switzer/The Hold - State of Nature 7"
D12 Gilbert Switzer – American Idols Cassette SOLD OUT
D11 Be Bad / Gilbert Switzer – Floppy Disk SOLD OUT
D10 The Hold – Tour VHS SOLD OUT
D09 The Hold – Need CD-R SOLD OUT
D08 Hookerblood – Beer Can Ashtray CD-R SOLD OUT
D07 Hi Firey – Don’t Worry About The Future CD-R SOLD OUT
D06 The Hold – NOISEBLOODASSAULT CD-R SOLD OUT
D05 Shit Cook – Part Knife CD-R SOLD OUT
D04 Shit Cook – Run To The Gun CD-R SOLD OUT
D03 Made In The World – Street Lines CD
D02 Made In The World – S/T CD-R SOLD OUT
D01 Dead Roads – Murder in the Trees C-20 SOLD OUT
Crowd Control Sound & Art Series
CRO1 Tanya Busse & Lindsay Dobbin Zine+CD-R
CRO2 Torso / GACK / Sandy Saunders Zine+CD-R SOLD OUT

April 20, 2009

DOG DAY VIDEOS BY RICK WHITE





Dog Day (AA Album Release)
Husband & Knife
Bloodhouse
Chris D’Eon (C-30 Release)
BHN Part 1
North Street Church AA
7:30PM-10:30PM | $7 Door

some things that will NOT be screening at OBEY

but watch them anyway.

Hard Light is a video art screening that's happening as a part of the festival. There's a set program featuring twelve artists, but who knows what will go on, since oh-my-goodness the event also features an open screening?!? May 23, 3-5 at the Khyber Centre for the Arts!

Clint Enns
Françoise Provencher
Ian Mactilstra
Jesse Frank Matthews
Jesse Harris
Kevin Hainey
Kim Sheppard
Leslie Supnet
Matt King
Sarah Lipstate
Tobias Rochman
Zeesy Powers

Keep checking this blog. More program deets to follow

Zeesy Powers - Quilt


Clint Enns - Winnipeg Stories: Sacrificial Memories



Leslie Supnet - A Small Misunderstanding



Fuck Montreal - Headphones


Matt King - Artist's Life


Sarah Lipstate - Radiation in Moderation

April 18, 2009

VANCOUVER'S COSMETICS


photo: Mark Gutknecht

Friday, May 22nd

Cosmetics (Vancouver) ████████████████████████████
Sex Negatives (ex- MUTATORS) (Vancouver) █████████
Soaking Up Jagged ██████████████████████████████
Roomdoom (ex ZAAT)
████████████████████████████

BHN Part 4
Khyber Ballroom 19+
10:45PM–2AM | $7 Door

http://www.myspace.com/cosmeticscosmeticscosmetics


This show will be a great opening night party. Cosmetics RIYL: Glass Candy, Roxy Music, Dark Day. I'm excited about this show because it's the first time we will have any sort of dance music at Obey and they are certainly the most glamorous act we have ever had. An event like this really adds to the diversity of the fest; at the same time the underlying current is obviously talent & good taste. Cosmetics recently stepped up their game and are working on a new tour disc (on their own Disco Fizz imprint) which will be ready in time for the show. They just got back from playing a small string of dates with Jeremy Jay (K Records) in Olympia and Vancouver too. This year the Obey Convention really has something for everyone and opening night promises to loosen you up.

April 16, 2009

VIDEOZ

Here are a couple of great videos by bands playing OBEY this year. Both songs available on cassette only. ha.

Husband & Knife - Anyway



Omon Ra - Nice To See You Again